I have been obsessing lately, (only as a performer, promise…) over this chap…
This is his fantastic Improvisations on a Theme of Carmen/Bizet on the Trinity Wall Street virtual pipe organ, (the original one was destroyed by dust in the 9/11 attacks, so they’ve replaced it with a ‘virtual’ M&O organ). There are lots of videos on YouTube of this guy flying about on the keys like nothing I have seen. Although a virtuoso, he has transcribed many popular classical pieces for the organ successfully. I have always found the results of transcriptions to be something that happens with varying degrees of success, Dr Martin Souter had, for me, achieved this consistently with his two recordings on the organ at Winchester Cathedral.
In my organist days, I found that many of these ‘virtuosos’ like many of those that find minor fame tend to come across as pretty pompous. The nicest organist I met was Prof (back then he was a Dr) Ian Tracey, who I heard play at Branscombe parish church many years ago (two manual organ with a Trombone 16′ and a 32′ Resultant Bass), and then met a few more, including Christopher Gower who was at that time Organist at Peterbourough Cathedral who was also very nice. But, alas Carlo Curley was, well, words escape me but I didn’t quite gell with him. So I hope that CC isn’t, well like the other CC.
In a fit of nerdy organ anarackyness here are a few of stunning clips off the YouTubeygig.
Cameron Carpenters transcription of ‘Pictures at an Exhibition’ by Modest Mussorgsky. Possibly Trinity Wall Street again?
Cameron Carpenter on The Culture Show..
Cameron Carpenter explaining the concepts and principals of the virtual organ. What makes it different from the regular ‘digital organ’ i.e Wyvern, Allen etc.
Paul Jacobs is considered by most to be one of the best Bach performers of the present day. This clip is performed at the Crystal Cathedral on their monstrous Moller/Skinner instrument which is (confirmation?) 5th largest in the world. ”Sinfonia” from Cantata 29 by Bach.
This is, without a doubt, one of the best recordings of this piece I have ever heard. Played on the instruments of the Hohen Dom zu Koln, (Colgne Cathedral) “Winfried Bonig plays the Querhaus and Langhausorgel (transept and nave organs) in this fantastic performance of Eugene Gigout’s Grand Choeur Dialogue. This piece offers the opportunity to hear both organs in spatial alteration. Only on the last chord are both organs heard at the same time.”
Joseph Jongen, a Belgian progidy who has composed some of the most romantic music I have personally ever heard. His ‘Choral’ is here being played on the Wanamaker Organ at Macy’s in Philadelphia, the largest playable instrument in the world. Officially the largest instrument is in Atlantic City in the Boardwalk Convention hall (last time I heard) however it was simply too big, and only half of it is playable.







